Bombay Begums Review: Nothing More Than A Role Reversal

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Bombay Begums

Cast: Pooja Bhatt, Shahana Goswami, Amruta Subhash, Plabita Borthakur, Aadhya Anand

Creator: Alankrita Shrivastava

Bombay Begums is a classic example of letting go of good opportunities in the name of sticking to the theme. Just when the audiences begin to feel a connection with the show, it changes track. The six-episode show loses steam within first two episodes and then keeps beating around the bush for the rest of it.

Rani (Pooja Bhatt) is a small-town girl who has made it in the big bad world of Mumbai corporates, but she has lately started to sense a change in her moral stances. While Fatima (Shahana Goswami) and Ayesha (Plabita Borthakur) work under Rani in the same organisation, Shai (Aadhya Anand) is her step daughter. Lily (Amruta Subhash), a sex worker, is the fifth vertex of this pentagon. Together they set out to create a story about the struggles faced by the women of different social strata and how they tactfully handle the hostile situations.

It was a good role for Bhatt to make a return to acting but her character couldn’t combat the monotony surrounding her existence in the show and how it was a unidirectional role without any frills. The creator—Alankrita Shrivastava (Lipstick Under My Burqa, Dolly Kitty Aur Woh Chamakte Sitare)—has tried to give her a solid ally in Goswami, but the repetition of sentiments and dialogues disguised as punchlines, have hampered their chances.

Bombay Begums never had any prolonged moments of realisation or even excitement. The crude antagonists are there for everyone to see and the non-judgmental vibes towards the female characters don’t always work in favour of the lead characters.

The show seems to be in a rush to give a clean-chit to the women, who were themselves doing a lot of wrongs. A balanced approach might have found the viewers rooting a little more for them.

However, superbly written characters of Ayesha and Shai provide some solace. They look genuine and have a great identification value. The side tracks don’t work at all as their sole purpose is to fulfil the need of bad guys in the lives of ‘begums’.

Bombay Begums, despite being a mini-series, is stretched and lacks coherence. The set-up never entices the viewers beyond the threshold.

Rating: 2/5

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‘Kunjiramayanam’ gave me the confidence to try comedy, says Deepak Parambol

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The actor talks about his role in the web series ‘Instagraamam’ and his wait for stand-out roles

When Mridul Nair’s Malayalam web series Instagraamam dropped on the streaming platform Neestream on February 22, it was the end of a long wait for Deepak Parambol, who plays one of the main characters.

It was yet another chance to prove that he could handle comedy. “I could pull off such a character in Kunjiramayanam and that gave me the confidence to take up this role,” says Deepak. He plays Kaliyedathu Sukesh, a 32-year-old jobless bachelor. Cricket is his weakness and that’s how his surname got shortened to ‘Kali’ (play/game). All that he wants is to get married and settle down.

“Mridul told me the story when we were working in BTech (2018). Even though he could have done a film project after that, Mridul wanted to make this web series. The format hadn’t become a trend then unlike now when there is a barrage of web series on social media and digital platforms,” Deepak explains.

Deepak Parambol

Instagraamam is set in Andippara, a fictitious village somewhere in Kerala. “The highlight is a group of characters with weird nicknames and mannerisms,” adds Deepak. The title stands for how good the people of the village are with ‘instant’ and humorous retorts.

The narrative starts with the police investigating the death of five people, presumably after reading a book, Instagraamam, which is about Andippara. The story then shifts to this village where viewers are introduced to Suku. He is tied to a tree and a crowd has gathered around him. Apparently, he was caught red-handed while he sneaked in to meet a girl at her house at midnight.

“How Suku ended up in such a situation will unfold in the upcoming episodes. The sequences are funny, but not vulgar. Mridul has put his heart and soul into it and has shot it like a feature film. The first two episodes have gone down well with the viewers. It was interesting to see some Thug Life videos based on my character!” laughs Deepak.

Giving Suku company are his three friends — Society Dutt (Ganapathy), an artist, Puncture Suni (Shani Shaki), an auto driver, and Padmarajan Andippara (Subhish Sudhi), a wannabe scenarist. They are his nemesis, believe Suku’s parents. A new-gen grandmother, a sister, a gullible brother-in-law and mischievous nephew complete his family.

A still from ‘Instagraamam’

The series has an ensemble cast with names such as Arjun Ashokan, Balu Varghese, Alencier Ley Lopez, Ramesh Pisharody, Dinesh Prabhakar, Gayathri Ashok and Ambika Rao. Sunny Wayne, Saniya Iyappan and Srinda are doing cameos. Shot in and around Payyannur in Kannur, which is Deepak’s hometown, the series also features theatre artistes from the district.

After his début in Malarvadi Arts Club, Deepak impressed viewers with his performances in Thattathin Marayathu, Thira, Kunjiramayanam and Captain. The ruthless husband in Ottamurivelicham, which won multiple Kerala state film awards, was the best among the lot.

The 32-year-old admits that he at times gets frustrated over not having got a breakthrough role yet. “But, for some reason, I believe that the day is not too far. Also, I know I don’t promote myself, which just doesn’t happen. However, I am going to look into it.”

Among his upcoming releases are Shane Nigam’s Ullasam and Vijay Sethupathi-Nithya Menen’s 19 (1) (a). “I have a good role in Fahadh Faasil’s Malayankunju although I can’t reveal more about it,” he adds. He will also be seen in Jayasurya-starrer John Luther.

Instagraamam has 14 episodes and new episodes will be uploaded once a week on Neestream.

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Tandav Review: Saif Ali Khan Plays to the Gallery in This Entertaining Political Thriller

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Tandav

Cast: Saif Ali Khan, Dimple Kapadia, Sunil Grover, Kumud Mishra, Zeeshan Ayyub

Creator: Ali Abbas Zafar

Blame it on the successful Amazon Prime Video model in India that most of their Hindi thrillers follow a certain template. Be it Mirzapur, Inside Edge, Breathe, Paatal Lok or its latest outing Tandav, the streaming giant relies mostly on set pieces. But it’s not a bad thing as these shows have mostly been entertaining and know a thing or two about their potential audiences.

Tandav, created by Ali Abbas Zafar and headlined by Saif Ali Khan, is the latest noisemaker in the Hindi OTT space and definitely plays to the gallery, and along the way, gives the viewers ample hints about how Bollywood sees a web series as a 9-episode extension of a typical film rather than a separate entity. Zafar (Gunday, Tiger Zinda Hai) also adds his touch to the production, and as a result, the twists-laden narrative keeps shifting goalposts.

Though the makers could have chosen a less stereotyped name than Samar Pratap Singh (Khan) for their anchor, a conniving yet vulnerable scion of India’s most powerful political family, they give the actor a nice arc to work with. Some may find similarities between Tandav and Prakash Jha’s Raajneeti, but to be honest, mainstream Hindi filmmaking has hardly shown any will to make sensible and serious political drama till date.

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Tigmanshu Dhulia plays Khan’s father a la Wasseypur style but the new JP Singh is better carved out. Then there are other players like political rivals—Dimple Kapadia and Kumud Mishra—revolutionary students—Zeeshan Ayyub and Kritika Kamra—and a henchman—Sunil Grover in an image-changing role.

There are some tricks and treats and how Samar battles at many fronts also contribute generously to the dance of fury.

Written by Gaurav Solanki (Article 15) and Zafar, Tandav owes massively from the perception that you have to be dirty and somewhat criminal to be successful in electoral politics, so we keep meeting corrupt leaders, trigger-happy cops and derailed media bosses. It may not look good in principle but it spices up proceedings quite a bit, and thanks to the overdose of blood and gore OTTs are filling us with, Tandav appears familiar and tolerable, meaningless though. But who cares till it is glossy and everyone’s cheeks are trembling with anger and fear. Am I missing Hrithik Roshan here!

To me, Khan seems more genuine whenever he plays negative characters. Maybe he should do more of such roles. Not calling it villainous because it’s not totally black in the first five episodes that were provided for the review purpose. He knows his territory and is continuously evolving as an actor. Isn’t he experimenting more than his contemporaries lately?

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Dimple Kapadia is good despite hamming but the same can’t be said about Kumud Mishra. I wish I hadn’t seen Ram Singh Charlie and Thappad before his forced laughter in Tandav.

The show may pick up in later episodes but first five display all the trappings of a ‘masala’ Bollywood production with absolutely nothing to ponder about once it’s over. Before you tag me pretentious, I would reiterate that Tandav is entertaining, provided you have a high appetite for projected punchlines and audacious behaviour.

Rating: 2/5



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Criminal Justice Behind Closed Doors Review: Pankaj Tripathi Fails to Lift Slow Paced Drama

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Criminal Justice: Behind Closed Doors

Cast: Pankaj Tripathi, Anupriya Goenka, Kirti Kulhari, Khushboo Atre

Directors: Rohan Sippy and Arjun Mukerjee

Criminal Justice season 2 arrives with the promise of doubling up on the drama quotient from the first installment. However, it fails to measure up to its first outing in every way imaginable.

To say that the plot does not offer characters enough to play around with would be wrong as season one did pretty well with a straight forward set-up that is milked dry for pathos. This time around, the pace goes doubly slow with no real enjoyment stored for the latter half.

Filmmakers Rohan Sippy and Arjun Mukerjee are at the helm of affairs here. They are tasked with putting the viewers’ heads around faith in the justice system when Anuradha Chandra (Kirti Kulhari) stabs her husband (Jisshu Sengupta) while he tries to force himself onto her in bed one night. That he has been controlling her for quite sometime is evident though some initial inserts and her attempt to injure him for her safety is foreshadowed. What follows is her lawyer Madhav Mishra’s (Pankaj Tripathi) quest to unravel the circumstances that led her to this point.

Anuradha tends to bear the weight of the story for the first half but Kirti’s one-tone performance, where she displays her isolation and fragility at each moment by bursting into tears, gets too repetitive and dull after a point. Kirti is unable to evoke empathy for a victim of domestic abuse and what could have been the role of a lifetime for her becomes a burden that she has to shoulder throughout.

Meanwhile, Pankaj as Madhav tries to balance out the serious nature of the show with his street-smart ways and poker-face humour. But his performance does not measure up to what we have come to expect of the actor. Here, a feel good factor is introduced as Madhav’s wife Ratna Mishra (Khushboo Atre) comes to Mumbai to live with him. And honestly, her chirpy performance, even though it is a side track to the main story, keeps some interest alive. Otherwise, the series seems robbed off of emotion and real tension.

Seems like Criminal Justice franchise is not interested in sustaining itself beyond this season.

Rating: 1.5/5

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